-------------------v0.52------------------- New in this release: • MPE Implementation tested for ROLI and LinnStrument. Further development with other controllers will continue. Try it: - SHIFT -> MPE: P1 = MPE mode on/off P2 = Aftertouch dead zone on/off (useful for ROLI) P3 = cc74 "Y" axis reduce sensitivity (useful for LinnStrument) - General (ROLI & LinnStrument ) Choose MPE mode, Z -> Ch. Pressure or Poly Pressure (same result) Y axis mode (CC# 74) "Relative" *MPE Settings are stored per patch* - LinnStrument Choose +/-48 bend range • Delay Freeze Try it: - Connect a twin pedal switch to the sustain pedal input or use a stereo splitter (tip = sustain, ring = freeze) to add delay freeze. - Alternatively, connect a sustain pedal "one click" into the sustain pedal input. - Pressing the foot switch holds the delay, new notes won't be added to the delay loop, and the current contents will loop indefinitely. Works best with long delays and moderate levels of delay feedback. - Pedal will auto-calibrate for polarity when the instrument is switched on, so pedals must be plugged in at this point of the power cycle. - Sends and receives MIDI Continuous Controller messages on CC# 69. • Superior responsiveness of all controls for more immediate playing experience. Try it: - Interact with the fader and rotary controls on the instrument and feel the improvement. Pitch Bender, rotary as well as toggle switches have all been subject to dynamic enhancement. Delay time sweep dynamics much improved. Also great for automations. • Binaural & 12-voice PWM on DDS 2 Try it: - Load the init patch, MIX -> DDS 2, PWM -> ~50%, experiment with LFO 1 LR PHASE, ONCE and HF (+ HF TRK) modes and varying PWM and PW. Great for 12-voice patches and lush binaural PWM pads. • Polyphonic LFO 2 - LFO 2 now features 12 individual LFO modules that can be polyphonically modulated to have different frequencies for each of the 12 notes. - If LFO 2 has been modulated and now has random phase, the phase of the 12 LFOs can be synchronised by toggling the LFO 2 MODE switch on the keyboard, or pressing the LFO 2 MODE button ("MW/AT") on the desktop. • Direct mod wheel assignment (DESKTOP only) - Mod wheel input CC# 1 can now be directly mapped to controls, rather than being forced to control the level of LFO 2. - Press and hold LFO 2 MODE button ("MW/AT") to enter panel assign mode for mod wheel, "MW" light will flash. Touch a fader or rotary control while holding MODE to lock destination. Release the LFO 2 MODE button to return to where you were. - Tip: Most useful in LFO 2 ON mode (MW and AT LEDs off), since here LFO2 is independent of mod wheel and can be conveniently assigned with the DDS 1/2, VCF, and VCA buttons. • Polyphonic aftertouch from capable MIDI controllers - The Super 6 now responds to polyphonic aftertouch. - Tip: Default mapping is the same as for channel pressure (LFO 2 amount or BEND when LFO 2 is set to ON). Switch LFO 2 to ON to allow polyphonic aftertouch to be mapped through the mod matrix only. • Mod matrix clear convenience function (DESKTOP only) - Push the MOD AMOUNT encoder when in MOD ASSIGN mode to clear all modulations. - Push the MOD AMOUNT encoder when SOURCE is highlighted to clear only modulations from this SOURCE. - Push the MOD AMOUNT encoder when DESTINATION is highlighted to clear only modulation of this DESTINATION. - Tip: Very good for quickly clearing any panel modulations from a particular SOURCE. • Random LFO improvement - LFO 1 with RND (random wave) selected in ONCE and RESET modes will output a random level with each new key press. - Use in conjunction with RATE and LR PHASE. • Additional MIDI Start/Stop Mode Setting for Sequencer - SHIFT -> EXT CLK: P4 = MIDI Start/Stop Receive On/Off - Both Modes: Transport control is achieved using Note On/Off. This allows for controlling when the sequence should start and stop and for transposing the sequence in a neat way. - Off (preferred): MIDI Start/Stop will 're-start' the sequencer only. In this mode, the HOLD button starts and stops the sequence asynchronously. A MIDI Start message "snaps" the sequence back into time, but a MIDI Stop message is ignored if the external clock is still running. - ON: The HOLD button "arms" the sequencer but it will wait for a MIDI Start message. The sequencer then stops when a MIDI Stop message is received, even if the external clock is still running. • Shift mode convenience function - To toggle into shift mode, press and release SHIFT. - To access the secondary function of a patch-specific parameter (e.g. HPF cutoff frequency), press and hold SHIFT while moving the according control. In this case shift mode will be exited upon releasing SHIFT. Fixed: • Startup problem fixed (sometimes instrument would require a power cycle to start) • Improved keyboard velocity response for more natural playing • Desktop CHORUS, LFO 2 MODE and LFO 2 DESTINATION, button & LED sequence bugfix • Audio input gain control in 7-bit (CC) knob mode bugfix • Program change via MIDI now highlights selected BANK on message received • LFO 1 pitch modulation ranges rationalisation. Now has correct 2 octave range without causing shift in frequency in ONCE mode (must switch in/out of LFO1 wave on existing patches to register change) • Shift mode entry/exit no longer interferes with sequencer playback @@@@@@@ @@@@@@@@ @@@@@@@@@@@@@@@@@@ @@@@@@@@@@@@@@@@ @@@@@@@ @@@@@@@@ @@@@@@@@@@@@@@@@@@@ @@@@@@@@@@@@@@@@@@ @@@@@@@ @@@@@@@@ @@@@@@@@ @@@@@@@@ @@@@@@@@ @@@@@@@@ @@@@@@@ @@@@@@@@ @@@@@@@@ *@@@@@@@# .@@@@@@@ @@@@@@@@ @@@@@@@ @@@@@@@@ @@@@@@@@ @@@@@@@@ @@@@@@@@ @@@@@@@@ @@@@@@@ @@@@@@@@ @@@@ @@@@@@@@ @@@@@@@@ @@@@ @@@@@@@@ @@@@@@@@ @@@@@@@ @@@@@@@@ @@@@@@ @@@@@@@@ @@@@@@@@ @@@@@@ @@@@@@@@ &@@@@@@@ @@@@@@@ @@@@@@@@ @@@@@@ @@@@@@@@ @@@@@@@@ @@@@@@ @@@@@@@@ &@@@@@@@ @@@@@@@ @@@@@@@@ @@@@@@@@ @@@@@@@@ @@@@@@@@ @@@@@@@@ @@@@@@@ @@@@@@@@ @@@@@@@@ @@@@@@@@ @@@@@@@@ @@@@@@@@ @@@@@@@ @@@@@@@@ @@@@@@@@ @@@@@@@@ @@@@@@@* @@@@@@@@ @@@@@@@@ @@@@@@@@ @@@@@@@@@@@@@@@@@@@@ @@@@@@@@ /@@@@@@@ @@@@@@@@@@@@@@@@@. @@@@@@@@@@@@@@@@@@@ @@@@@@@@@@@@@@@@@, @@@@@@@@@@@@@@@ @@@@@@@@@@@@@@@@@ @@@@@@@@@@@@@@ :o:. 'cl;..,oxkOOOOOOkl;,,,:clol; kMWk. 'lkxc'.;kNMMMMMMMMMWOl,. kMM0' ;xKO:. .collllllooxk0XWN0l' kMMk',kNXl. ......,cx0Kd' xWMX0NMK; .:ldk0KKo. .;dOo. lNMMMMK; .:kXWMMMMMW0c. 'ox; :XMMMNc ;ONMMMMMMMMMMW0c. ,o ,KMMMk. .oXMMMMMMMMMMMMMMWx' . .dWMNl .:''xWMMMMMMMMMMMMMMMMWO, .kWX: .kNNWMMMMMMMMMMMMMMMMMMMO. .c: ,..cl. 'OWMMMMMMMMMMMMMMMMMMMMNl cNK o: .dNMMMMMMMMMMMMMMMMMMMMd. .xMK :k: ;OWMMMMMMMMMMMMMMMWMWo :XM0 oKo. .cKWMMMMMMMMMMN0l:dO; ,0MM0 .dNO; ,0MMMMMMWXOo,. ...,OWMM0 .xWNk:. .;oO0Okxdl;. :0MWNW0 clcoKMMW0o;. .... 'xXNOc:00 KMMWWMMMMMWKko:'. .,dOkl' 'OO KMMMMMMMWWWWWWNKd' .,cll:. .kk okkkkkkxdlloooc,. .'cl;. ';